Available Now: The Silence of the Stars

20140318-215505.jpgNow available for your reading pleasure, wherever you buy books, is The Silence of the Stars!

The sequel to The Stars that Tremble

Sandy Sullivan has gotten so good at covering up his emotions, he’s waiting for someone to hand him an Oscar. On the outside, he’s a cheerful, funny guy, but his good humor is the only thing keeping awful memories from his army tours in Afghanistan at bay. Worse, Sandy is now adrift after breaking up with the only man who ever understood him, but who also wanted to fix him the way Sandy’s been fixing up his new house in Brooklyn.

Everett Blake seems to have everything: good looks, money, and talent to spare. He parlayed a successful career as a violinist into a teaching job at Manhattan’s elite Olcott School and until four months ago, he even had the perfect boyfriend. Now he’s on his own, trying to give his new apartment some personality, even if it is unkempt compared to the perfect home he shared with his ex. When hiring a contractor to renovate his kitchen sends Sandy barreling into his life, Everett is only too happy to accept the chaos… until he realizes he’s in over his head.

Now available from Dreamspinner Press.

The Stars that Tremble: Blog Tour

Here are the blog tour stops, if you want to re-live the guest-post magic!

RWANYC: MEET THE HERO: Everett — Character interview with Everett at the New York City RWA chapter blog.

Joyfully Jay: The Elusive Sequel — I wrote a guest post about how hard it is for me to write sequels; The Silence of the Stars is a triumph!

Prism Book Alliance: Interview — Beverley of PBA interviewed me about Rainbow Romance Writers, writing what you know, and lots of other things.

The Novel Approach: Throwback Thursday — A little about my musical origins.

Romance at Random: When Opposites Attract — A trope-tacular discussion!

A few of those posts have contests attached, so there might still be time to win a copy of the book.

upcoming events

I’ll be at two big events in the next few weeks if you want to come say hi:

Book Expo America is this week. I’ll be signing at the Dreamspinner booth (#1421) at 10:30 Saturday morning, so if you’re there, come by and get a copy of The Silence of the Stars! (Then Tere Michaels and Elle Brownlee are signing at 11:00 and Damon Suede is singing at 11:30. In the afternoon, Michael Murphy, Ariel Trachna, and Andrew Grey will be signing, starting at 1pm.)

Then on Saturday, June 14th, there’s going to be a Romance Festival at the Morris-Jumel Mansion in NYC. Admission is free. A bunch of area authors will have tables there where they will be signing and selling books. I’m doing a panel to talk about For Love and Liberty and multicultural Revolutionary War stories. It’ll be a good time and you should come if you’re in the area.

RT 2014 Wrap-Up

Well, I have my second RT under my belt. I had fun, I learned things, I’m still kind of a post-con zombie.

Highlights:

• I saw 3 panels (that’s 1 more than last year! It’s tough finding the time in that daunting schedule to see and do everything). The first was an LGBT panel moderated by Sarah Frantz featuring Suzanne Brockmann, SE Jakes, KA Mitchell, Marie Sexton, and Heidi Belleau. The third was also an LGBT panel moderated by Sarah Frantz, this one featuring Ruth Sternglatz (an editor at Bold Strokes Books), Christopher Rice, Heather Osborn from Samhain, Amy Lane, blogger Joyfully Jay, and Kelly Jamieson. Both were enjoyable and everyone had interesting things to say. I also attended a panel on multicultural romance moderated by RT editor Mala Bhattacharjee featuring Farrah Rochon, Alisha Rai, Jeannie Lin, and Sandra Kitt. That was also pretty great.

Someone asked me to compare RT and RWA panels. I think panels at RWA are more educational; panels at RT are mostly about seeing people you admire say interesting things. I’m not sure I learned anything new at any of the panels I went to, but I did really enjoy them all. Also I ended up winning the hardcover of Suzanne Brockmann’s new book at that first panel, which made me ridiculously happy. (I can fangirl with the best of them, too.)

• I helped out with Cinema Craptastique—if you don’t know, that’s basically live MST3K—and we had a lot of weird technical difficulties, but we got it up and running in time. I highly encourage everyone to fly in early to attend.

• I co-hosted a game party called Romance Pride Wheel of Fortune. The readers seemed to have fun and I will totally do it again next year, though it felt a little chaotic. It’s good to have these experiences and work out what will work better the next time.

• I won a fifth of bourbon playing bingo at a party I attended. I don’t drink bourbon, but that’s still pretty cool.

• I ran into someone I went to college with and haven’t seen since I graduated. Not only is she a romance author, we have the same agent. *sings* It’s a small world after all. (I figured it was only a matter of time before I ran into someone from my “other life” at a convention.)

• I got to wear a lot of cute dresses. Someone told me I was the cutest ever, and I considered changing my tagline. Would you buy a romance novel from “Kate McMurray, the cutest ever”?

• Then there was New Orleans itself! So much great food! So many things to see! It’s a wonderful city and I was happy to be there for the second time.

• I’m still working out my feelings about how the book fair went—you’ve heard about that by now, probably. The main point of contention was the separation of traditional and indie published authors into separate rooms, which I figured was mostly a money thing—indie books were sold on consignment, traditional books were sold through the book store. Other authors can probably write smarter things than I’m capable of writing on that. I was in the traditional published room. I sat next to Lindsay McKenna, who has been writing military romance for Harlequin for 30 years, and we had a really nice conversation about the progress of LGBT romance and digital-first publishing, and she’s a really nice woman. I met some fans, too, always the highlight of any signing.

• For me, the BEST part of RT is hanging out with old friends and meeting new people. I got to talk to readers and bloggers a lot more this year than I did last year, which I enjoyed. I miss you all already!

• LGBT romance was very well represented, which was awesome to see. This was true both in terms of ads on display and authors attending. On the plane home, my friend Stacey wanted book recs for gay romance, and I was like, “Any LGBT author you met this weekend.” It would be hard to go wrong with any of the attending authors, of which there were at least 25 at my count, all of them people you’ve heard of and adore, I imagine. (Actually, it was probably way more than 25, I’m just bad at counting, and when I mentally ran through everyone I talked to, there are also a bunch of authors who write a bit of everything, including het romance and gay romance and menage and all of those things.) If you’re a gay romance fan, this was a great conference at which to meet your favorite authors. I felt like it also warmly embraced writers of LGBT fiction.

So that was RT in a nutshell, for me anyway. I’m already looking ahead to Dallas in 2015! Thanks for putting on a great show, all of the RT staff and volunteers!

Next up I’ve got BEA next week and RWA in July. I just got confirmation that I’m all signed up for the Literacy Signing at RWA, so if you’ll be in San Antonio on July 23, come see me there!

Going to RT? Come to Romance Pride!

Spread the word! I’m co-hosting the Romance Pride: Wheel of Fortune event at RT, and it is going to be so awesome, you will be sad if you miss it.

Click to embiggen!

Click to embiggen!

Want more info? Check out the event Facebook page.

The short version is that we will be playing games and giving out prizes. So many prizes. You want a teaser? Well, as it happens, I live with a jewelry designer, so I commissioned some super cute McMurray-themed earrings. Here is one pair:

Bookish Earrings

The party’s at 10am Monday. Fortify with caffeine, then come play!

The Silence of the Stars, now available for preorder

20140505-071744.jpgThe Silence of the Stars can now be pre-ordered from Dreamspinner Press!

Extra Bonus: All of my books are 35% off from the Dreamspinner site as part of their anniversary sale. That offer is good until May 10. If you haven’t read The Stars that Tremble, now could be the time to pick that up, too.

You can also add the book on Goodreads.

A Spin-off of The Stars that Tremble

Sandy Sullivan has gotten so good at covering up his emotions, he’s waiting for someone to hand him an Oscar. On the outside, he’s a cheerful, funny guy, but his good humor is the only thing keeping awful memories from his army tours in Afghanistan at bay. Worse, Sandy is now adrift after breaking up with the only man who ever understood him, but who also wanted to fix him the way Sandy’s been fixing up his new house in Brooklyn.

Everett Blake seems to have everything: good looks, money, and talent to spare. He parlayed a successful career as a violinist into a teaching job at Manhattan’s elite Olcott School and until four months ago, he even had the perfect boyfriend. Now he’s on his own, trying to give his new apartment some personality, even if it is unkempt compared to the perfect home he shared with his ex. When hiring a contractor to renovate his kitchen sends Sandy barreling into his life, Everett is only too happy to accept the chaos… until he realizes he’s in over his head.

Available May 30, 2014!

Announcement: For Love and Liberty anthology, June 2014

LLCoverSoon3Here’s what happened: Alyssa Cole and I are in the same book club, and last summer, we read a couple of Revolutionary War romances. What we liked about both books was the “not Regency England” setting; we’re both historical romance fans, and it was fun to read books set in a different historical era. (And, I mean, don’t get me wrong, I still love Regencies, but you gotta switch it up sometimes.) Still, the books had flaws, so we started talking about what we would have done differently. And, literally, as we were walking out of the library that night, Alyssa said, “We should write Revolutionary War romances. Hey, what if we did an anthology?” And thus the For Love and Liberty project was born.

The other thing to know about us is that Alyssa writes multicultural romance and I write gay romance, and pretty early in our thought process, it occurred to us that we could write stories featuring, let’s say, underrepresented characters. So that became our anthology theme. We’re calling them “untold stories,” which means these are stories from the sorts of characters you don’t hear from very often in historical romances, or in historical narratives generally.

We asked our friends if they wanted to contribute and eventually put four stories together. Mine is The Gay One. I’ll talk about it more below. Alyssa’s features former slaves and the British army’s promise to emancipate any men who signed on to fight for the Crown. Lena Hart has written about a woman who is half-African, half-Native American who falls in love with a white British officer. And Stacey Agdern has written about the Jewish community in New York and how they were affected by the war.

So here’s the deal with my story, “Rebels at Heart”:

Charles Foxworth is a dandy. I wanted to write about someone fashion obsessed. I spent some time looking at gorgeous period clothing in a number of different books on the history of fashion. In the nineteenth century, there were dandies and then there were their even more flamboyant cousins, the macaronis. Macaronis were known for their elaborate fashions with lots of stripes and rosettes and embroidery as well as their tall wigs. They wore fashions in peacock colors and added feathers to everything. The best thing I learned while researching is that this is the origin of the line, “stuck a feather in his cap and called it macaroni,” in the song “Yankee Doodle Dandy.”

At the time, fashion did not have a gay connotation per se. In the opening scene of the story, Charles puts on a pink frock coat. The coat is based on gorgeous one I found in a book on the history of fashion, a British design from the 1770s, and there’s nothing feminine about the coat. The macaronis were parodied in drawings and comedy of the era, and while there are some gendered considerations, the fashionable men of this era wouldn’t have read “gay” to the society at large as fashionable, flamboyant men do today (stereotypically speaking).

The eighteenth century did have a culture of mollies, male prostitutes who serviced male clients. Sodomy was a hanging offense and was considered a “crime against nature.” But there was no real vocabulary, no concept of homosexuality the way we think of it now. A man like Charles could parade around Colonial New York City in his finest clothing and his powdered wigs and he wouldn’t have projected his sexuality, and I glean that most people wouldn’t have read much into it (beyond “Wow, that dude’s ridiculous”).

Isaac Ward is a freedman, an emancipated slave who came to New York after being granted his freedom. He worked as a blacksmith’s apprentice until an accident cost him his job, and an intrigued Charles offered him a position. The job is really a pretense, though; as Charles and Isaac carry on a sexual liaison, to the world they are master and servant. But it’s only when the war arrives in New York that they have to evaluate what their relationship really means.

Here’s the official (for now) blurb:

Charles Foxworth is among New York City’s most fashionable men, though he is only pretending to be a dashing British aristocrat. Still, he is content with his role and has little interest in the war. His companion, Isaac Ward, has more invested in the coming conflict; Isaac was born a slave, and though he is now free, that freedom could be guaranteed if he chose to pick up arms. Then war arrives on the shores of the city and Charles’s idyll is over. He quickly realizes that the war could take from him the very thing he holds most dear: Isaac.

And the anthology blurb:

In BE NOT AFRAID by Alyssa Cole, a black Patriot captured by the British falls in love with a headstrong runaway determined to leave the colonies… while a wounded British soldier discovers the healing power of love in the arms of a gentle native woman in A SWEET SURRENDER by Lena Hart… yet in REBELS AT HEART by Kate McMurray, two men must make hard choices if they are to stay together when war arrives on the shores of their home in New York City… at last, in HOME by Stacey Agdern, a young Jewish couple must decide what can hold them together before war and geography tear them apart.

We’re self-publishing and aiming to have the book up in mid-June from various ebook retailers (and also in print, if all goes to plan). You can add the book on Goodreads.

Also, BONUS: You can see all four of us yak about our research at the upcoming Romance Festival that is to be held at the historic Morris-Jumel Mansion in New York City on June 14th!

convention tips: don’t just survive, be AWESOME

RT is just under a month away, and I’ve seen a lot of blog posts about “how to survive a con.” Viewing a con as something to survive is looking at it the wrong way. It’s not a white-water rafting trip or a jungle safari or [insert other scary journey here]. It’s a con. A lot of people attend them for FUN, even. Crazy! So don’t just survive. Thrive!

I went to 5 cons last year, which is a lot. Whether you go to one or one dozen each year, I hope you can take something from what I have learned. So, without further ado:

Kate’s Tips for Making Your Con Experience Awesome

1. Tote bag.
Have a bag to put stuff in. Almost every con I have ever been to gives these out when you register, so don’t feel like you have to buy one, but definitely carry one. You can both carry the stuff you need and have a place to put stuff you accumulate throughout the day. This will save you trips back to your hotel room. I always make sure to have: my phone, money, my room key, a little notebook or something to write on, a couple of pens, Chapstick, a snack, emergency flats (see below), a cardigan if I’m not already wearing one (hotels get cold), aspirin or some kind of headache pill, my business cards, and a limited quantity of swag to hand out to people I run into.

2. Attire.
I love the recent JC Penney’s ads that are about finding that piece that fits well and makes you feel good. This is my personal approach to fashion. Now, look, I love clothes. I view conventions as an opportunity to pull some of my funkier pieces out of the closet. I bought a bunch of cute dresses to wear at RT this year. Having one attention-grabbing piece is a great ice breaker because people will walk up to you and tell you they love your dress/shoes/necklace and then you can chat about books/your writing/panels/whatever. But I always feel good about myself when I’ve got my best clothes on.

I get that not everyone is as obsessive about clothes as I am, so here’s my advice: wear clothes that make you feel good. If dresses and bright colors are not your thing, don’t dress that way. If you’ve got pieces in colors you like or that fit very well or that just make you happy, wear those. If you’re happy and comfortable in your attire, you’ll project confidence. That’s a good quality to have in a con. (But do put in a little effort. Particularly if you’re attending as an author, you don’t want to fade into the background.)

Also, I recommend dressing in layers so you can adjust to heat/air-conditioning/surprise snow accordingly.

3. Shoes.
Always carry emergency flats. I keep a pair of reliably comfortable shoes in my con bag at all times. I always hit a point in the day, even in my most comfortable heels, where I just can’t anymore, and having the flats handy is such a relief.

4. Snacks.
Pack something snacky. I like to have granola bars or trail mix handy, or something similarly portable. Sometimes you forget to eat or go a long time between meals or just don’t get enough to eat at a luncheon. If you feel yourself dragging, stop and have a snack.

5. Water.
Carry a water bottle. Nothing will dehydrate you faster than being in a hotel all day.

6. Planning.
Have a rough plan of what you will do before you leave for the con. Look at the agenda or schedule and decide which events you will attend. This will affect what you pack, first of all, especially if there are parties or events with costumes, but also it will give you an idea for what to expect. On the other hand, be open to that plan changing once you’re on the ground. Because it totally will.

7. Free stuff.
You will get a lot of it, especially books. “But I don’t plan to take any…” Doesn’t matter. You will. I swore up and down I would take home zero books from GRL last year and wound up with five. Leave space in your luggage in anticipation of this. You might also bring pre-addressed shipping labels so you can send stuff home. Check with the hotel in advance to see if they will ship things for you. Convention hotels usually do or can direct you to the nearest courier.

8. Socializing.
Cons are one place where it is cool to talk to strangers. We’re all there to meet other members of our tribe. There are definitely going to be people who don’t know anyone or who have never been to a con before and will welcome making friends with similar people. Breeze through the lobby or hotel bar, introduce yourself, talk to people. Talk about books if you need an ice-breaker topic—at a romance or reader con, that’s the thing we all have in common.

And let me just say, it is a great feeling to find people who are just as passionate about your interests as you are.

9. Have fun.
Cons can be stressful when you’re preparing to attend them, but once you’re there, relax and enjoy!

Tips Specific to Authors:

1. Swag.
The late comedian Mitch Hedberg had a bit in his stand-up about people handing out flyers. He viewed someone handing him a flyer as, “Here, you throw this away.” I always think of this when someone hands me swag unsolicited. If we’re talking about your book and I express interest, then sure, hand me a postcard. But if I don’t know you and you hand me something, it’s going in the trash. This is a peeve of mine, because I have so little space in my luggage and I’d really rather not ship stuff home, so I don’t need MORE stuff, you know? Offer swag and have it available for people to take, but don’t make them take it.

Also, don’t feel like you have to break the bank to be impressive with your swag. Work within your budget. If all you can do are postcards with your book covers, that’s a great start—the goal is to spread the word about you as an author and your brand, and you shouldn’t have to spend big money to do that.

One last thing: a lot of cons have a swag room where people can peruse and take stuff. Take a tour yourself and see what great things other people are doing. You might get some ideas for your own swag.

2. Business cards.
All authors should have them. If we meet, I will likely ask you for one. It doesn’t have to be fancy, just give me a way to find you online: your website, your email, and possibly also your social media accounts. Most cons have badge holders with little pockets in the back that are ideal business card holders; I always stuff a bunch of my own in there so I can pull them out on the fly, and I put the ones I get in there, too. Also, don’t make these too glossy; you want something someone can write on. I will sometimes write a note about where I met the person who gave me the card so I can follow up with them later.

3. Don’t limit yourself to your own events.
Go to other author panels/readings/whatever. Take advantage of the opportunities cons present to network and learn things. If there’s a publisher you’re interested in submitting to, attend their spotlight. If there’s a panel on something related to what you write, go attend it. Support your fellow authors.

4. Signings.
Signings are not my favorite thing, honestly. I’m a small fish in a big pond at cons like RT, and when you’re competing for reader attention with Nora Roberts and Sylvia Day, you’re probably going to lose. Still, be friendly to people who stop by. Chat with readers. Smile. Put out some candy to lure people to your table. Have something generic planned to write in books that people ask you to sign. Be prepared for long lulls when you don’t get much activity. Make friends with the writers sitting next to you. Don’t get offended if someone tells you they only read ebooks and so won’t be buying anything. (Readers have apologized to me a lot at signings. “I’m sorry, I only buy ebooks.” Hey, that’s totally cool with me! Help yourself to any of my swag. But the fact that so many readers apologize make me think some authors are dicks about that. Don’t be a dick.)

Actually, “Don’t be a dick,” is good con advice generally.

Do you have other tips for making a convention an awesome experience? Please share them in the comments!

my writing process

I was tagged by friend and RWA NYC chapter mate Lena Hart on this chain blog tour thing about The Writing Process. So here goes:

1) What am I working on?
I always have several projects going at the same time, but right at this moment I’m focusing on two, both of which I’ve probably mentioned, which are:

• A contemporary friends-to-lovers with a really convoluted plot; I need to come up with a better elevator pitch for it, but the gist is, “two friends are never in the same place emotionally and struggle to define their relationship with each other until they reach a crisis point and have to decide to make a go of a romantic relationship or lose each other forever.” I’m calling it When the Planets Align. Right now I’m doing my last round of revisions before it goes off to my agent.

• A contemporary series about an LGBT amateur baseball league in NYC. The first three books are outlined and planned, so I think I want to try to sell it as a trilogy with room for more should that work out. Book 1 is done and going out to betas soon, and I recently started Book 2.

2) How does my work differ from others of its genre?
That’s tough to answer. People have said I bring a New York sensibility even to my books not set in New York. I tend toward brainy characters. I like to play with old genre conventions. I also try to portray life as I know it, insofar as I am a thirtysomething single person living in a major city, so I feel like I have a bead on that in a way some authors don’t, or at least, I bring my own experience to the table, even when I’m writing about, say, professional baseball players or reincarnated Celtic deities. And I write books I’d want to read; I hope my love for this genre and my characters comes through in the books.

3) Why do I write what I do?
I’m writing this after having recently spent a day at an LGBT book fair at which I got asked this question a lot. (Or, I got asked specifically how I, a woman, got into writing gay male romance.) The short version is that I started reading gay romance at a time when there wasn’t a lot of it, and I loved it so much that I thought there should be more, so I tried my hand at writing book, and that became In Hot Pursuit. I’d been writing chick lit and het romance up until that point (and briefly pretentious literary fiction, because I think every young person in NYC is working on that book) so I was not new to writing or romance, but I hadn’t finished anything that I thought was publishable. IHP was the first thing I wrote that I felt really confident in. (Or confident enough in it to submit it to publishers, at any rate.)

It so happens that all of the story ideas I’ve had since have involved gay men. Those are the voices in my head, I guess. I keep expecting this to change, but it hasn’t yet. So I keep writing.

4) How does your writing process work?
This is roughly how it goes:

Step 1: Get an idea. Often these come out of left field, but sometimes they will be a reaction to something, either something I read or something I experienced. (Sometimes a negative reaction—Out in the Field was written almost entirely because I read a few baseball romances that had neither much baseball talk nor any people of color, and that was something I wanted to rectify—and sometimes just because—I wrote Show and Tell during a period of my life in which I was watching a lot of Pawn Stars. But The Stars that Tremble? I don’t know. I was taking a walk one afternoon and started thinking about opera and what if an opera singer couldn’t sing anymore and then I had a story.)

Step 2: Free write. I need to spend a little time with the characters before I can completely work out what their story is, so I’ll write a few scenes, some of which will be repurposed but most of which just get tossed because they’re too info-dump-y or else aren’t important to the story.

Step 3: Draw and outline. I keep paper notebooks for each of my projects because I like to draw, especially maps and flowcharts, and I haven’t found a useful way to do that on a computer or tablet yet. I am firmly on the Plotter side of the Plotter v. Pantser divide, but I keep my outlines loose enough to change my mind about the details later. They usually aren’t formal outlines, more bulleted lists of plot points and various other kinds of information.

For research-heavy projects, I keep files of references on my computer and I put lots of sticky notes in books so I can pull them out and find what I need quickly. I take photos of the real places my books are set. (I’ve got a huge folder of reference photos for Across the East River Bridge. I visited every place mentioned in the book.) And I’m insane about research, so that’s a big part of this step in the process.

For the baseball series mentioned above, I made a whole series bible, and it is extensive.

Step 4: Churn out a first draft. Here’s a thing I learned about myself as a participant in NaNoWriMo: if I edit as a write, I will never make any progress, because I could edit my work forever and never be happy with it. A far more effective process for me is to bang out a first draft, messy though it may be, and then revise later. This process goes pretty fast; it typically takes me anywhere from 1 to 3 months to write a first draft (depending on length and how busy I am otherwise).

I write in Scrivener, which I love because it makes it easy to keep everything organized.

Step 5: Revise, revise, revise. I write fast but revise slowly. I usually do a pass through the draft just to clean up typos and obvious mistakes, then I’ll go back and add missing scenes or do heavier revisions as necessary. Sometimes I change my mind about plot points and end up having to do a lot of rewriting at this stage.

This stage can sometimes be fairly easy—it was for The Silence of the Stars (coming soon!)—or it can be wrenching. Blind Items went through four major rewrites before it became the book it is today.

Step 6: Beta draft. I export from Scrivener and then read the whole thing again in Word which serves two functions: a) it gives me a chance to verify that the Word file has no formatting shenanigans, and b) it’s easier for me to spot typos, homonym errors, and other mistakes if I change the font and spacing because it’s like looking at the text anew. Once I feel like this version is clean, it goes off to my writers group or beta readers, who then send me back comments.

Step 7: Alpha draft. I read all comments, decide what I’m going to incorporate, revise accordingly. I have in some cases printed out a hard copy of the whole thing and put everyone’s comments into one place so there’s effectively a master edited draft, then I’ll use that as a reference as I revise. Sometimes I’ll just make a bulleted list of things I want to change based on feedback. It sort of depends on how extensive the comments are.

I also find it useful to read the whole polished draft quickly, because I catch inconsistencies better that way. It’s hard when you’re writing to even catch obvious things. There’s a tertiary character in The Boy Next Door who went by two different names until I caught that. Poor Mike McPhee from The Stars that Tremble had a dead mother in one of the early drafts, and it took me an embarrassingly long time to fix that everywhere. When working on edits for The Silence of the Stars I caught a weird instance of Sandy’s favorite book genre being biographies on one page but popular science on another.

Step 8: Send to agent/publisher.

So that’s the way I typically work. It seems to work for me, but your mileage may vary. This is basically a description of how I do things and is not meant to be instructive. Ask twenty writers about their process and you’ll get twenty different answers.

If you’re a writer and you’re interested in participating in this chain blog tour, let me know or go ahead and tag yourself. All I ask is that you link back to me.

Poll: Best in Swag

I’m going low-key on swag for RT this year, but I am doing a party for which I’m contributing items for door-prize bags, so I’m wondering, of the things I have on-hand, which of these would you most prefer to receive in a prize bag: one of my custom pin-back buttons (with the “smart • savvy • sexy” phrase on them), a postcard featuring the gorgeous cover of The Silence of the Stars, or an awesome Kate McMurray bookmark?

(NGL, this is also an excuse to try out this poll plugin for WordPress. Works pretty well, right?)